|
b. 1
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
While preparing the Mazurka for print Chopin revised and precised the initial performance indications in A (→GE→FE→EE): he described the tempo differently than in AI, and added the metronome mark and con anima. category imprint: Differences between sources; Corrections & alterations issues: Changes of tempo markings |
||||||||
|
b. 1
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
AI is not titled, and the dedication written there differs from the later one that Chopin wrote for the entire opus in A (→GE→FE→EE). The replacement of 4 Mazurkas with Quatre Mazurkas in FE and GE2 does not change the content of the authentic title from A (→GE1). However, the addition to the title in EE is definitely inauthentic; the English editor used to add the expression Souvenir de la Pologne to each consecutive opus of Chopin's mazurkas.
category imprint: Differences between sources issues: EE inaccuracies |
||||||||
|
b. 1-12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
The first slur of the Mazurka begins on a bar-line in A, which allows a twofold interpretation. The slur at the end of bar 12 (1a volta) also may be read as encompassing only two quavers or longer. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
||||||||
|
b. 1-7
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
AI has no accents for g1 in bars 1, 3 & 7 (a similar situation appears in bar 25, 27 & 31). The discussed bars are among few places in which Chopin's long accents are reproduced quite precisely in GE (→FE→EE). category imprint: Differences between sources issues: Long accents |
||||||||
|
b. 1
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
Chopin wrote into A a mark AI has no pedal markings becuse of the different L.H. part version. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
in 
